Rainy Homecoming with a Shiba Inu

Prompt:
0–4s — COLD OPEN (hook): The door is already swinging inward; the shot begins mid-motion with rain roaring behind and instantly muffling as the door closes. A semi-transparent convenience store bag swings in the left hand, raindrops sliding down it. He says "Tadaima." Off-frame: claws scrabbling on wood, getting louder fast.
4–11s: A black-and-tan Shiba Inu skids into frame with a slipper in its mouth — the wrong slipper, a tiny pink child's one. Front paws brace, hindquarters slide past before catching. It head-tilts, drops the slipper with a soft slap, then twists and wiggles in place. The daughter (~4, pale yellow pajamas, ponytail) runs in dragging a towel bigger than she is, overshoots, leans forward to stop. He crouches — hand braces on knee, then kneels, camera lowering with real weight.
11–17s: Toweling: she wraps the towel over his hand and presses and rubs through the fabric while humming. Fingertips stay visible at the towel's edge — no skin-on-skin contact. Towel lifts to reveal a dry matte hand. She repeats on the other hand, faster and sloppier. The bag is set down half-tilted, leaning against the cabinet.
17–23s: He ruffles her ponytail; she dodges, then leans back in. He fumbles in the bag and pulls out a jelly cup. She nearly drops it, hugs it to her chest, jumps — knees buckling on landing — and shouts "Zeree!" The dog's nose twitches, front paws shifting. She giggles and spins away, overshooting the turn.
23–30s: He rises — lean, then straighten — camera rising with the weight. She leads down the hallway skip-stepping, towel corner dragging behind her. The dog trots between them, spine undulating. They pass the crayon drawing. The kitchen opens up: wife in loungewear and dark green apron, weight leaned on the stove, stirring a pot of soba, steam curling into the range hood light. She half-turns her shoulder, says "Okaeri" softly, turns back. The daughter climbs onto a chair — it wobbles — and holds the jelly up to show her, leaning back. The dog circles under the table and lies down, chin on paws. Final frame: steam, warm light, rain streaking the window, table set for three, and every living thing still subtly moving — nobody freezes.
Motion rules: Every movement follows prep → action → settle biomechanics with genuine acceleration, deceleration and post-movement sway. Never simultaneous, symmetrical, or uniform-speed. Constant micro-movement — breathing, weight shifts, small balance corrections — for every living thing. Actions overlap and interrupt each other; nobody waits their turn.
Camera: Fixed 47° FOV, weighted head-inertia sway, natural autofocus breathing between focal points. Exposure shifts organically from cool hallway to warm interior as he steps in.
Audio: Continuous natural sound only, no music, no narration, no subtitles, no watermark. Rain going clear → muffled, bag rustle, claws on wood, slipper slap, towel friction, giggles, dog snorts and one soft huff, pot bubbling, range hood hum, chair creak, dish clink. Dialogue at natural conversational volume in Japanese: "Tadaima," "Papa!," "Zeree!," "Okaeri."